Indebtedness: Die Haftung der Geschenknehmenden
Kunstverein Kevin Space, Vienna, Austria
26th March - 15th May 2021
The exhibition manifests as an expanded writing practice and an exercise in non-linear story-telling, as well as vernacular idioms and idiosyncrasies to explore subjective, inter-generational and gendered historiography. Text, photography, sculpture and sound tangibly negotiate fine lines between nostalgia, critical historicity and attempts to reinstate alternative perceptions of reality for the present and future.
The publication Scunthorpe Correspondences was kindly supported by ‘Damnatio Memoriae’ project funding from the ÖH Kulturreferat of the Hochschüler_innenschaft, Academy of Fine Arts Vienna.
The installation O my mother, I am in love with a hawk (Bird) features a two-hour mix by Yung Singh.
Framing was kindly supported by Werner Murrer Rahmen, Munich.
With special thanks to Julian Billmair, Sophie Eidinger, Masimba Hwati, Philipp Lossau, Yung Singh, Andrea Zabric.
Full documentation: Kevin Space
Review: Anna Barbieri, “Eating your cake and baking it anew” for Vienna Art Week
Indebtedness: Die Haftung der Geschenknehmenden. Installation view, Kunstverein Kevin Space, 2021. Photo: Maximilian Anelli-Monti
Better biographies (Chests); Homage to Winifred Knights, The Deluge, 1920 (2021), Clothes line with clothing and pegs. Photo: Maximilian Anelli-Monti
Better biographies (Chests); Homage to Winifred Knights, The Deluge, 1920 (2021), Clothes line with clothing and pegs. Photo: Maximilian Anelli-Monti
Indebtedness: Die Haftung der Geschenknehmenden. Installation view, Kunstverein Kevin Space, 2021. Photo: Maximilian Anelli-Monti
I ceased from Mental Fight (Forgive nothing, forget everything) (2021) Decorated cake. Photo: Maximilian Anelli-Monti
Sensual objects, real qualities (2021) Four black and white photographs by Tom Glencross, framed, Courtesy the artists. Photo: Maximilian Anelli-Monti
Scunthorpe Correspondences (2021) Booklet with texts written by Miriam Stoney and Tom Glencross, design by Benjamin Buchegger. Photo: Maximilian Anelli-Monti
Sensual objects, real qualities (2021) Four black and white photographs by Tom Glencross, framed, Courtesy the artists. Photo: Maximilian Anelli-Monti
Indebtedness: Die Haftung der Geschenknehmenden. Installation view, Kunstverein Kevin Space, 2021. Photo: Maximilian Anelli-Monti
Indebtedness: Die Haftung der Geschenknehmenden. Installation view, Kunstverein Kevin Space, 2021. Photo: Maximilian Anelli-Monti
Real objects, sensual qualities (2021) Six beds for six books, Courtesy the artist. Photo: Maximilian Anelli-Monti
Real objects, sensual qualities (2021) Six beds for six books, Courtesy the artist. Photo: Maximilian Anelli-Monti
Real objects, sensual qualities (2021) Six beds for six books, Courtesy the artist. Photo: Maximilian Anelli-Monti
Sensual objects, real qualities (2021) Four black and white photographs by Tom Glencross, framed, Courtesy the artists. Photo: Maximilian Anelli-Monti
Indebtedness: Die Haftung der Geschenknehmenden. Installation view, Kunstverein Kevin Space, 2021. Photo: Maximilian Anelli-Monti
Sensual objects, real qualities (2021) Four black and white photographs by Tom Glencross, framed, Courtesy the artists. Photo: Maximilian Anelli-Monti
Real objects, sensual qualities (2021) Six beds for six books, Courtesy the artist. Photo: Maximilian Anelli-Monti
Real objects, sensual qualities (2021) Six beds for six books, Courtesy the artist. Photo: Maximilian Anelli-Monti
I ceased from Mental Fight (Tracing) (2021)