Miriam Stoney
Miriam Stoney

Upcoming:

Ununits of Gravitas
Performance for the exhibition Call me gravity
WIELS, Brussels
Saturday 12th September 2026, 15.00

Feminist Futures Forever
Group exhibition
Belvedere 21, Vienna
5th November 2026 – 7th March 2027

Current:

Chorós: Speaking All At Once
Group exhibition with Levin Stettler Brogli, Benjamin Egger, Christian Falsnaes, Juliana Gleeson, Ji-Yoon Han, Aziza Harmel & Alice Speller, Johanna Hedva, Barbara Kapusta, Ingo Niermann, Aaiún Nin, Ruth Novaczek, Simon(e) van Saarloos, Maja Smrekar, Sráč Sam, Miriam Stoney
Shedhalle, Zurich
Opening 8th July 2026, 18.00
9th July – 20th September 2026

read for/to: I Read to Sense the Doubling of Time
Group exhibition with Anna Budniewski, Christine Sun Kim, Brandon LaBelle, Karolin Meunier, Luzie Meyer, Miriam Stoney, Anna R Winder
Kunstverein Bielefeld
30th April – 20th September, 2026

Recent texts:

"Hoisted by Their Own Petard" for Berlin Review, no. 20, June 2026: here

[Translation from French + Translator's Note] Jeff Wall Production. Submission Declined (London: Hela Press, 2026): here

"Riddings Leisure Centre, 2008" for In the Margins, 25th November 2025: here

What Prospects Leo Rising, 2026, for Study of a Lion, Shahin Zarinbal, Berlin. Photo: Eric Tschernow

Study of a Lion, 2026. Shahin Zarinbal, Berlin. Photo: Eric Tschernow

Storyboard, 2026, for Study of a Lion, Shahin Zarinbal, Berlin. Photo: Eric Tschernow

Storyboard (Pluto), for Study of a Lion, Shahin Zarinbal, Berlin. Photo: Eric Tschernow

Grammatical Constructions for Ornament & Information with Gertie Chicago at Chicago Cultural Center, 2026. Photo: Paul Levack.

BAD is the trade that must play fool to sorrow, 2026, Fire Lips at University Gallery of the Angewandte, University of Applied Arts Vienna,
2026. Photo: kunst-dokumentation.com / Manuel Carreon Lopez

ANG’RING itself and others, 2026, Fire Lips at University Gallery of the Angewandte, University of Applied Arts Vienna,
2026. Photo: kunst-dokumentation.com / Manuel Carreon Lopez

I'm just saying with Robert Schwarz, 2026. Daily Special 02, Echoraum Vienna. Photo: Robert Bergmann.

"Research" (London, Paris, Vienna) for ALL FLASH AND FICTION curated by Kristina Deska Nikolić at discotec, Vienna, 2025. Photo: Kristina Deska Nikolić

"Research" (London, Paris, Vienna) for ALL FLASH AND FICTION curated by Kristina Deska Nikolić at discotec, Vienna, 2025. Photo: Tina Kult

Ideal Translation (Marguerite Duras, La Vie matérielle) with Brunette Coleman at Tenderbooks, London, 2025. Photo: Julian Blum

Ideal Translations with Brunette Coleman at Tenderbooks, London, 2025. Photo: Julian Blum

All That Was Missing with Stefan Grimus for Burn the Diaries, Read Them Out Loud, Kunsthalle Wien, 2025. Photo: Paola Lesslhumer

Installation view, Missing, in: Burn The Diaries, Read Them Out Loud, 2025, Kunsthalle Wien. Photo: Iris Ranzinger

So Many Ununits of Gravitas (Work series), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

So Many Ununits of Gravitas (Step-Motherly Love), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

So Many Ununits of Gravitas (Little Red), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

Eckdaten, 2024. Brunette Coleman. Photo: Jack Elliot Edwards

p. 109, “One day you’ll be blind, like me. You’ll be sitting there, a speck in the void, in the dark, for ever, like me.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 17, “[...] and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 48, “It took him about a week, tools one day, wood the next; but the wood was a problem because you can’t put it in your pocket or under your coat;” 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Deconstitution (Work series), 2023. Not Either Or, But And, VCT STATEMENT at das weisse haus. Photo: kunst-dokumentation.com

Just to let you know with Robert Schwarz, 2023. Klosterruine Berlin. Photo: PNiedermayer

Just to let you know with Robert Schwarz, 2023. Klosterruine Berlin. Photo: PNiedermayer

Common Notions, with Katharina Schilling, 2022. Exhibition view, house of spouse. Photo: Flavio Palasciano

Between Dwelling, 2022. Common Notions, with Katharina Schilling. house of spouse. Photo: Flavio Palasciano

First Refusal, 2022. „nominiert ...“ Vordemberge-Gildewart Stipendium 2022. Photo: Klaus Pichler, © mumok

Where Does the Misery Come From? (Playing English or "Hand-In-Hand-Out"), 2022. Befindlichkeiten, Austrian Cultural Forum Berlin. Photo: Max Eulitz

Titles Variable, 2021. Autohaus St. Marx, Neuer Kunstverein Wien. Photo: kunst-documentation.com

Real objects, sensual qualities, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

Better Biographies (Chests); Homage to Winifred Knights, The Deluge, 1920, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

I ceased from Mental Fight, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti