Miriam Stoney
Miriam Stoney

Upcoming:

A thing conducting : Réflexions sur la traduction en tant que pratique
Conversation with Rosanna Puyol Boralevi and Eliana Kirkcaldy
Librairie L'indépendante, Strasbourg
9th October 2026, 19.00

Feminist Futures Forever
Group exhibition
Belvedere 21, Vienna
5th November 2026 – 7th March 2027

Current:

Chorós: Speaking All At Once
Group exhibition with Levin Stettler Brogli, Benjamin Egger, Christian Falsnaes, Juliana Gleeson, Ji-Yoon Han, Aziza Harmel & Alice Speller, Johanna Hedva, Barbara Kapusta, Ingo Niermann, Aaiún Nin, Ruth Novaczek, Simon(e) van Saarloos, Maja Smrekar, Sráč Sam, Miriam Stoney
Shedhalle, Zurich
Opening 8th July 2026, 18.00
9th July – 20th September 2026

read for/to: I Read to Sense the Doubling of Time
Group exhibition with Anna Budniewski, Christine Sun Kim, Brandon LaBelle, Karolin Meunier, Luzie Meyer, Miriam Stoney, Anna R Winder
Kunstverein Bielefeld
30th April – 20th September, 2026

Recent texts:

"Hoisted by Their Own Petard" for Berlin Review, no. 20, June 2026: here

[Translation from French + Translator's Note] Jeff Wall Production. Submission Declined (London: Hela Press, 2026): here

"Riddings Leisure Centre, 2008" for In the Margins, 25th November 2025: here

What Prospects Leo Rising, 2026, for Study of a Lion, Shahin Zarinbal, Berlin. Photo: Eric Tschernow

Study of a Lion, 2026. Shahin Zarinbal, Berlin. Photo: Eric Tschernow

Storyboard, 2026, for Study of a Lion, Shahin Zarinbal, Berlin. Photo: Eric Tschernow

Storyboard (Pluto), for Study of a Lion, Shahin Zarinbal, Berlin. Photo: Eric Tschernow

Grammatical Constructions for Ornament & Information with Gertie Chicago at Chicago Cultural Center, 2026. Photo: Paul Levack.

BAD is the trade that must play fool to sorrow, 2026, Fire Lips at University Gallery of the Angewandte, University of Applied Arts Vienna,
2026. Photo: kunst-dokumentation.com / Manuel Carreon Lopez

ANG’RING itself and others, 2026, Fire Lips at University Gallery of the Angewandte, University of Applied Arts Vienna,
2026. Photo: kunst-dokumentation.com / Manuel Carreon Lopez

I'm just saying with Robert Schwarz, 2026. Daily Special 02, Echoraum Vienna. Photo: Robert Bergmann.

"Research" (London, Paris, Vienna) for ALL FLASH AND FICTION curated by Kristina Deska Nikolić at discotec, Vienna, 2025. Photo: Kristina Deska Nikolić

"Research" (London, Paris, Vienna) for ALL FLASH AND FICTION curated by Kristina Deska Nikolić at discotec, Vienna, 2025. Photo: Tina Kult

Ideal Translation (Marguerite Duras, La Vie matérielle) with Brunette Coleman at Tenderbooks, London, 2025. Photo: Julian Blum

Ideal Translations with Brunette Coleman at Tenderbooks, London, 2025. Photo: Julian Blum

All That Was Missing with Stefan Grimus for Burn the Diaries, Read Them Out Loud, Kunsthalle Wien, 2025. Photo: Paola Lesslhumer

Installation view, Missing, in: Burn The Diaries, Read Them Out Loud, 2025, Kunsthalle Wien. Photo: Iris Ranzinger

So Many Ununits of Gravitas (Work series), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

So Many Ununits of Gravitas (Step-Motherly Love), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

So Many Ununits of Gravitas (Little Red), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

Eckdaten, 2024. Brunette Coleman. Photo: Jack Elliot Edwards

p. 109, “One day you’ll be blind, like me. You’ll be sitting there, a speck in the void, in the dark, for ever, like me.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 17, “[...] and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 48, “It took him about a week, tools one day, wood the next; but the wood was a problem because you can’t put it in your pocket or under your coat;” 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Deconstitution (Work series), 2023. Not Either Or, But And, VCT STATEMENT at das weisse haus. Photo: kunst-dokumentation.com

Just to let you know with Robert Schwarz, 2023. Klosterruine Berlin. Photo: PNiedermayer

Just to let you know with Robert Schwarz, 2023. Klosterruine Berlin. Photo: PNiedermayer

Common Notions, with Katharina Schilling, 2022. Exhibition view, house of spouse. Photo: Flavio Palasciano

Between Dwelling, 2022. Common Notions, with Katharina Schilling. house of spouse. Photo: Flavio Palasciano

First Refusal, 2022. „nominiert ...“ Vordemberge-Gildewart Stipendium 2022. Photo: Klaus Pichler, © mumok

Where Does the Misery Come From? (Playing English or "Hand-In-Hand-Out"), 2022. Befindlichkeiten, Austrian Cultural Forum Berlin. Photo: Max Eulitz

Titles Variable, 2021. Autohaus St. Marx, Neuer Kunstverein Wien. Photo: kunst-documentation.com

Real objects, sensual qualities, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

Better Biographies (Chests); Homage to Winifred Knights, The Deluge, 1920, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

I ceased from Mental Fight, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti